Faculty of Teacher Training - English Department
Course Title: Advanced English Language IV
Instructor: Dr. Rod
Ardian in Year 2 – Advanced Skills IV class has created the forum listed below for discussion of events in class as well as various other topics. I encourage all my SEE University students to sign on and actively participate – you never know – it might get you extra credit!
http://enforum.justgoo.com/forum.htm
Faculty of Teacher Training - English Department
Course Title: Advanced English Language IV
Instructor: Dr. Rod
E-mail: sjrod55@gmail.com
ACT IV
SCENE I. Venice. A court of justice.
Enter the DUKE, the Magnificoes, ANTONIO, BASSANIO, GRATIANO, SALERIO, and others
DUKE
What, is Antonio here?
ANTONIO
Ready, so please your grace.
DUKE
I am sorry for thee: thou art come to answer
A stony adversary, an inhuman wretch
uncapable of pity, void and empty
From any dram of mercy.
ANTONIO
I have heard
Your grace hath ta'en great pains to qualify
His rigorous course; but since he stands obdurate
And that no lawful means can carry me
Out of his envy's reach, I do oppose
My patience to his fury, and am arm'd
To suffer, with a quietness of spirit,
The very tyranny and rage of his.
DUKE
Go one, and call the Jew into the court.
SALERIO
He is ready at the door: he comes, my lord.
Enter SHYLOCK
DUKE
Make room, and let him stand before our face.
Shylock, the world thinks, and I think so too,
That thou but lead'st this fashion of thy malice
To the last hour of act; and then 'tis thought
Thou'lt show thy mercy and remorse more strange
Than is thy strange apparent cruelty;
And where thou now exact'st the penalty,
Which is a pound of this poor merchant's flesh,
Thou wilt not only loose the forfeiture,
But, touch'd with human gentleness and love,
Forgive a moiety of the principal;
Glancing an eye of pity on his losses,
That have of late so huddled on his back,
Enow to press a royal merchant down
And pluck commiseration of his state
From brassy bosoms and rough hearts of flint,
From stubborn Turks and Tartars, never train'd
To offices of tender courtesy.
We all expect a gentle answer, Jew.
SHYLOCK
I have possess'd your grace of what I purpose;
And by our holy Sabbath have I sworn
To have the due and forfeit of my bond:
If you deny it, let the danger light
Upon your charter and your city's freedom.
You'll ask me, why I rather choose to have
A weight of carrion flesh than to receive
Three thousand ducats: I'll not answer that:
But, say, it is my humour: is it answer'd?
What if my house be troubled with a rat
And I be pleased to give ten thousand ducats
To have it baned? What, are you answer'd yet?
Some men there are love not a gaping pig;
Some, that are mad if they behold a cat;
And others, when the bagpipe sings i' the nose,
Cannot contain their urine: for affection,
Mistress of passion, sways it to the mood
Of what it likes or loathes. Now, for your answer:
As there is no firm reason to be render'd,
Why he cannot abide a gaping pig;
Why he, a harmless necessary cat;
Why he, a woollen bagpipe; but of force
Must yield to such inevitable shame
As to offend, himself being offended;
So can I give no reason, nor I will not,
More than a lodged hate and a certain loathing
I bear Antonio, that I follow thus
A losing suit against him. Are you answer'd?
BASSANIO
This is no answer, thou unfeeling man,
To excuse the current of thy cruelty.
SHYLOCK
I am not bound to please thee with my answers.
BASSANIO
Do all men kill the things they do not love?
SHYLOCK
Hates any man the thing he would not kill?
BASSANIO
Every offence is not a hate at first.
SHYLOCK
What, wouldst thou have a serpent sting thee twice?
ANTONIO
I pray you, think you question with the Jew:
You may as well go stand upon the beach
And bid the main flood bate his usual height;
You may as well use question with the wolf
Why he hath made the ewe bleat for the lamb;
You may as well forbid the mountain pines
To wag their high tops and to make no noise,
When they are fretten with the gusts of heaven;
You may as well do anything most hard,
As seek to soften that--than which what's harder?--
His Jewish heart: therefore, I do beseech you,
Make no more offers, use no farther means,
But with all brief and plain conveniency
Let me have judgment and the Jew his will.
BASSANIO
For thy three thousand ducats here is six.
SHYLOCK
What judgment shall I dread, doing
Were in six parts and every part a ducat,
I would not draw them; I would have my bond.
DUKE
How shalt thou hope for mercy, rendering none?
SHYLOCK
What judgment shall I dread, doing no wrong?
You have among you many a purchased slave,
Which, like your asses and your dogs and mules,
You use in abject and in slavish parts,
Because you bought them: shall I say to you,
Let them be free, marry them to your heirs?
Why sweat they under burthens? let their beds
Be made as soft as yours and let their palates
Be season'd with such viands? You will answer
'The slaves are ours:' so do I answer you:
The pound of flesh, which I demand of him,
Is dearly bought; 'tis mine and I will have it.
If you deny me, fie upon your law!
There is no force in the decrees of Venice.
I stand for judgment: answer; shall I have it?
BASSANIO
Why dost thou whet thy knife so earnestly?
SHYLOCK
To cut the forfeiture from that bankrupt there.
GRATIANO
Not on thy sole, but on thy soul, harsh Jew,
Thou makest thy knife keen; but no metal can,
No, not the hangman's axe, bear half the keenness
Of thy sharp envy. Can no prayers pierce thee?
SHYLOCK
No, none that thou hast wit enough to make.
GRATIANO
O, be thou damn'd, inexecrable dog!
And for thy life let justice be accused.
Thou almost makest me waver in my faith
To hold opinion with Pythagoras,
That souls of animals infuse themselves
Into the trunks of men: thy currish spirit
Govern'd a wolf, who, hang'd for human slaughter,
Even from the gallows did his fell soul fleet,
And, whilst thou lay'st in thy unhallow'd dam,
Infused itself in thee; for thy desires
Are wolvish, bloody, starved and ravenous.
SHYLOCK
Till thou canst rail the seal from off my bond,
Thou but offend'st thy lungs to speak so loud:
Repair thy wit, good youth, or it will fall
To cureless ruin. I stand here for law.
=====================================================================
Soft!
The Jew shall have all justice; soft! no haste:
He shall have nothing but the penalty.
GRATIANO
O Jew! an upright judge, a learned judge!
PORTIA
Therefore prepare thee to cut off the flesh.
Shed thou no blood, nor cut thou less nor more
But just a pound of flesh: if thou cut'st more
Or less than a just pound, be it but so much
As makes it light or heavy in the substance,
Or the division of the twentieth part
Of one poor scruple, nay, if the scale do turn
But in the estimation of a hair,
Thou diest and all thy goods are confiscate.
GRATIANO
A second Daniel, a Daniel, Jew!
Now, infidel, I have you on the hip.
PORTIA
Why doth the Jew pause? take thy forfeiture.
SHYLOCK
Give me my principal, and let me go.
BASSANIO
I have it ready for thee; here it is.
PORTIA
He hath refused it in the open court:
He shall have merely justice and his bond.
GRATIANO
A Daniel, still say I, a second Daniel!
I thank thee, Jew, for teaching me that word.
SHYLOCK
Shall I not have barely my principal?
PORTIA
Thou shalt have nothing but the forfeiture,
To be so taken at thy peril, Jew.
SHYLOCK
Why, then the devil give him good of it!
I'll stay no longer question.
SCENE II. Capulet's orchard.
Enter ROMEO
ROMEO
He jests at scars that never felt a wound.
JULIET appears above at a window
But, soft! what light through yonder window breaks?
It is the east, and Juliet is the sun.
Arise, fair sun, and kill the envious moon,
Who is already sick and pale with grief,
That thou her maid art far more fair than she:
Be not her maid, since she is envious;
Her vestal livery is but sick and green
And none but fools do wear it; cast it off.
It is my lady, O, it is my love!
O, that she knew she were!
She speaks yet she says nothing: what of that?
Her eye discourses; I will answer it.
I am too bold, 'tis not to me she speaks:
Two of the fairest stars in all the heaven,
Having some business, do entreat her eyes
To twinkle in their spheres till they return.
What if her eyes were there, they in her head?
The brightness of her cheek would shame those stars,
As daylight doth a lamp; her eyes in heaven
Would through the airy region stream so bright
That birds would sing and think it were not night.
See, how she leans her cheek upon her hand!
O, that I were a glove upon that hand,
That I might touch that cheek!
JULIET
Ay me!
ROMEO
She speaks:
O, speak again, bright angel! for thou art
As glorious to this night, being o'er my head
As is a winged messenger of heaven
Unto the white-upturned wondering eyes
Of mortals that fall back to gaze on him
When he bestrides the lazy-pacing clouds
And sails upon the bosom of the air.
JULIET
O Romeo, Romeo! wherefore art thou Romeo?
Deny thy father and refuse thy name;
Or, if thou wilt not, be but sworn my love,
And I'll no longer be a Capulet.
ROMEO
[Aside] Shall I hear more, or shall I speak at this?
JULIET
'Tis but thy name that is my enemy;
Thou art thyself, though not a Montague.
What's Montague? it is nor hand, nor foot,
Nor arm, nor face, nor any other part
Belonging to a man. O, be some other name!
What's in a name? that which we call a rose
By any other name would smell as sweet;
So Romeo would, were he not Romeo call'd,
Retain that dear perfection which he owes
Without that title. Romeo, doff thy name,
And for that name which is no part of thee
Take all myself.
ROMEO
I take thee at thy word:
Call me but love, and I'll be new baptized;
Henceforth I never will be Romeo.
JULIET
What man art thou that thus bescreen'd in night
So stumblest on my counsel?
ROMEO
By a name
I know not how to tell thee who I am:
My name, dear saint, is hateful to myself,
Because it is an enemy to thee;
Had I it written, I would tear the word.
JULIET
My ears have not yet drunk a hundred words
Of that tongue's utterance, yet I know the sound:
Art thou not Romeo and a Montague?
ROMEO
Neither, fair saint, if either thee dislike.
JULIET
How camest thou hither, tell me, and wherefore?
The orchard walls are high and hard to climb,
And the place death, considering who thou art,
If any of my kinsmen find thee here.
ROMEO
With love's light wings did I o'er-perch these walls;
For stony limits cannot hold love out,
And what love can do that dares love attempt;
Therefore thy kinsmen are no let to me.
JULIET
If they do see thee, they will murder thee.
ROMEO
Alack, there lies more peril in thine eye
Than twenty of their swords: look thou but sweet,
And I am proof against their enmity.
JULIET
I would not for the world they saw thee here.
ROMEO
I have night's cloak to hide me from their sight;
And but thou love me, let them find me here:
My life were better ended by their hate,
Than death prorogued, wanting of thy love.
JULIET
By whose direction found'st thou out this place?
ROMEO
By love, who first did prompt me to inquire;
He lent me counsel and I lent him eyes.
I am no pilot; yet, wert thou as far
As that vast shore wash'd with the farthest sea,
I would adventure for such merchandise.
JULIET
Thou know'st the mask of night is on my face,
Else would a maiden blush bepaint my cheek
For that which thou hast heard me speak to-night
Fain would I dwell on form, fain, fain deny
What I have spoke: but farewell compliment!
Dost thou love me? I know thou wilt say 'Ay,'
And I will take thy word: yet if thou swear'st,
Thou mayst prove false; at lovers' perjuries
Then say, Jove laughs. O gentle Romeo,
If thou dost love, pronounce it faithfully:
Or if thou think'st I am too quickly won,
I'll frown and be perverse an say thee nay,
So thou wilt woo; but else, not for the world.
In truth, fair Montague, I am too fond,
And therefore thou mayst think my 'havior light:
But trust me, gentleman, I'll prove more true
Than those that have more cunning to be strange.
I should have been more strange, I must confess,
But that thou overheard'st, ere I was ware,
My true love's passion: therefore pardon me,
And not impute this yielding to light love,
Which the dark night hath so discovered.
ROMEO
Lady, by yonder blessed moon I swear
That tips with silver all these fruit-tree tops--
JULIET
O, swear not by the moon, the inconstant moon,
That monthly changes in her circled orb,
Lest that thy love prove likewise variable.
ROMEO
What shall I swear by?
JULIET
Do not swear at all;
Or, if thou wilt, swear by thy gracious self,
Which is the god of my idolatry,
And I'll believe thee.
ROMEO
If my heart's dear love--
JULIET
Well, do not swear: although I joy in thee,
I have no joy of this contract to-night:
It is too rash, too unadvised, too sudden;
Too like the lightning, which doth cease to be
Ere one can say 'It lightens.' Sweet, good night!
This bud of love, by summer's ripening breath,
May prove a beauteous flower when next we meet.
Good night, good night! as sweet repose and rest
Come to thy heart as that within my breast!
ROMEO
O, wilt thou leave me so unsatisfied?
JULIET
What satisfaction canst thou have to-night?
ROMEO
The exchange of thy love's faithful vow for mine.
JULIET
I gave thee mine before thou didst request it:
And yet I would it were to give again.
ROMEO
Wouldst thou withdraw it? for what purpose, love?
JULIET
But to be frank, and give it thee again.
And yet I wish but for the thing I have:
My bounty is as boundless as the sea,
My love as deep; the more I give to thee,
The more I have, for both are infinite.
Nurse calls within
I hear some noise within; dear love, adieu!
Anon, good nurse! Sweet Montague, be true.
Stay but a little, I will come again.
Exit, above
ACT I
SCENE I. A desert place.
Thunder and lightning. Enter three Witches
First Witch
When shall we three meet again
In thunder, lightning, or in rain?
Second Witch
When the hurlyburly's done,
When the battle's lost and won.
Third Witch
That will be ere the set of sun.
First Witch
Where the place?
Second Witch
Upon the heath.
Third Witch
There to meet with Macbeth.
First Witch
I come, Graymalkin!
Second Witch
Paddock calls.
Third Witch
Anon.
ALL
Fair is foul, and foul is fair:
Hover through the fog and filthy air.
Exeunt
SCENE II. A camp near Forres.
Alarum within. Enter DUNCAN, MALCOLM, DONALBAIN, LENNOX, with Attendants, meeting a bleeding Sergeant
DUNCAN
What bloody man is that? He can report,
As seemeth by his plight, of the revolt
The newest state.
MALCOLM
This is the sergeant
Who like a good and hardy soldier fought
'Gainst my captivity. Hail, brave friend!
Say to the king the knowledge of the broil
As thou didst leave it.
Sergeant
Doubtful it stood;
As two spent swimmers, that do cling together
And choke their art. The merciless Macdonwald--
Worthy to be a rebel, for to that
The multiplying villanies of nature
Do swarm upon him--from the western isles
Of kerns and gallowglasses is supplied;
And fortune, on his damned quarrel smiling,
Show'd like a rebel's whore: but all's too weak:
For brave Macbeth--well he deserves that name--
Disdaining fortune, with his brandish'd steel,
Which smoked with bloody execution,
Like valour's minion carved out his passage
Till he faced the slave;
Which ne'er shook hands, nor bade farewell to him,
Till he unseam'd him from the nave to the chaps,
And fix'd his head upon our battlements.
DUNCAN
O valiant cousin! worthy gentleman!
Sergeant
As whence the sun 'gins his reflection
Shipwrecking storms and direful thunders break,
So from that spring whence comfort seem'd to come
Discomfort swells. Mark, king of Scotland, mark:
No sooner justice had with valour arm'd
Compell'd these skipping kerns to trust their heels,
But the Norweyan lord surveying vantage,
With furbish'd arms and new supplies of men
Began a fresh assault.
DUNCAN
Dismay'd not this
Our captains, Macbeth and Banquo?
Sergeant
Yes;
As sparrows eagles, or the hare the lion.
If I say sooth, I must report they were
As cannons overcharged with double cracks, so they
Doubly redoubled strokes upon the foe:
Except they meant to bathe in reeking wounds,
Or memorise another Golgotha,
I cannot tell.
But I am faint, my gashes cry for help.
DUNCAN
So well thy words become thee as thy wounds;
They smack of honour both. Go get him surgeons.
Exit Sergeant, attended
Who comes here?
Enter ROSS
MALCOLM
The worthy thane of Ross.
LENNOX
What a haste looks through his eyes! So should he look
That seems to speak things strange.
ROSS
God save the king!
DUNCAN
Whence camest thou, worthy thane?
ROSS
From Fife, great king;
Where the Norweyan banners flout the sky
And fan our people cold. Norway himself,
With terrible numbers,
Assisted by that most disloyal traitor
The thane of Cawdor, began a dismal conflict;
Till that Bellona's bridegroom, lapp'd in proof,
Confronted him with self-comparisons,
Point against point rebellious, arm 'gainst arm.
Curbing his lavish spirit: and, to conclude,
The victory fell on us.
DUNCAN
Great happiness!
ROSS
That now
Sweno, the Norways' king, craves composition:
Nor would we deign him burial of his men
Till he disbursed at Saint Colme's inch
Ten thousand dollars to our general use.
DUNCAN
No more that thane of Cawdor shall deceive
Our bosom interest: go pronounce his present death,
And with his former title greet Macbeth.
ROSS
I'll see it done.
DUNCAN
What he hath lost noble Macbeth hath won.
Exeunt
SCENE III. A heath near Forres.
Thunder. Enter the three Witches
First Witch
Where hast thou been, sister?
Second Witch
Killing swine.
Third Witch
Sister, where thou?
First Witch
A sailor's wife had chestnuts in her lap,
And munch'd, and munch'd, and munch'd:--
'Give me,' quoth I:
'Aroint thee, witch!' the rump-fed ronyon cries.
Her husband's to Aleppo gone, master o' the Tiger:
But in a sieve I'll thither sail,
And, like a rat without a tail,
I'll do, I'll do, and I'll do.
Second Witch
I'll give thee a wind.
First Witch
Thou'rt kind.
Third Witch
And I another.
First Witch
I myself have all the other,
And the very ports they blow,
All the quarters that they know
I' the shipman's card.
I will drain him dry as hay:
Sleep shall neither night nor day
Hang upon his pent-house lid;
He shall live a man forbid:
Weary se'nnights nine times nine
Shall he dwindle, peak and pine:
Though his bark cannot be lost,
Yet it shall be tempest-tost.
Look what I have.
Second Witch
Show me, show me.
First Witch
Here I have a pilot's thumb,
Wreck'd as homeward he did come.
Drum within
Third Witch
A drum, a drum!
Macbeth doth come.
ALL
The weird sisters, hand in hand,
Posters of the sea and land,
Thus do go about, about:
Thrice to thine and thrice to mine
And thrice again, to make up nine.
Peace! the charm's wound up.
Enter MACBETH and BANQUO
MACBETH
So foul and fair a day I have not seen.
BANQUO
How far is't call'd to Forres? What are these
So wither'd and so wild in their attire,
That look not like the inhabitants o' the earth,
And yet are on't? Live you? or are you aught
That man may question? You seem to understand me,
By each at once her chappy finger laying
Upon her skinny lips: you should be women,
And yet your beards forbid me to interpret
That you are so.
MACBETH
Speak, if you can: what are you?
First Witch
All hail, Macbeth! hail to thee, thane of Glamis!
Second Witch
All hail, Macbeth, hail to thee, thane of Cawdor!
Third Witch
All hail, Macbeth, thou shalt be king hereafter!
BANQUO
Good sir, why do you start; and seem to fear
Things that do sound so fair? I' the name of truth,
Are ye fantastical, or that indeed
Which outwardly ye show? My noble partner
You greet with present grace and great prediction
Of noble having and of royal hope,
That he seems rapt withal: to me you speak not.
If you can look into the seeds of time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear
Your favours nor your hate.
First Witch
Hail!
Second Witch
Hail!
Third Witch
Hail!
First Witch
Lesser than Macbeth, and greater.
Second Witch
Not so happy, yet much happier.
Third Witch
Thou shalt get kings, though thou be none:
So all hail, Macbeth and Banquo!
First Witch
Banquo and Macbeth, all hail!
MACBETH
Stay, you imperfect speakers, tell me more:
By Sinel's death I know I am thane of Glamis;
But how of Cawdor? the thane of Cawdor lives,
A prosperous gentleman; and to be king
Stands not within the prospect of belief,
No more than to be Cawdor. Say from whence
You owe this strange intelligence? or why
Upon this blasted heath you stop our way
With such prophetic greeting? Speak, I charge you.
Witches vanish
William Shakespeare - the Complete Works
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The Plays of William Shakespeare
The plays written by the great Bard are listed below by category and alphabetical order. The section relating to the Chronology of Plays provides a list of when plays were written and published. This section provides access to the plot summary of each play, pictures, key dates, characters, history and the full script of every one of William Shakespeare's plays.
Tragedy themed Plays
Click a link below to access full scripts and information about Shakespeare's Plays
Comedy themed Plays
Click a link below to access full scripts and information about Shakespeare's Plays
Registration of Plays
Plays were required to be registered prior to publication. It was important that plays were regulated as playwrights used the stage as a forum to express their own views on religion and politics. Registration provided an opportunity to invoke a form of censorship and the means to suppress too much freedom of thought and criticism of the crown and public affairs.
Information provided about the plays
The Bard never published any of his plays and therefore none of the original manuscripts have survived. Eighteen unauthorised versions of his plays were, however, published during his lifetime in quarto editions by unscrupulous publishers (there were no copyright laws protecting Shake-speare and his works during the Elizabethan era). A collection of his works did not appear until 1623 (a full seven years after Shakespeare's death on April 23, 1616) when two of his fellow actors, John Hemminges and Henry Condell, posthumously recorded his work and published 36 of William’s plays in the First Folio. Some dates are therefore approximate other dates are substantiated by historical events, records of performances and the dates plays appeared in print.
The Characters and Scripts
These enduring works feature many famous and well loved characters. The text and scripts convey vivid impressions. The language used today is, in many ways, different to that used in the 16th century Elizabethan era and this is often reflected in the script and text used in the plays. It is therefore not surprising that we have no experience or understanding of some of the words contained in the text / script of the various works. We have therefore included a Shakespearean Dictionary for most of the more obscure words used in the script of his plays, some of which are obsolete in modern language or Dictionaries. Make a note of any unusual words that you encounter whilst reading the scripts and check their definition in the Dictionary by clicking Dictionary at the top of the page to access Elizabethan Dictionary - Guide to language and words used in the Elizabethan era.
Chronology of Plays
The section relating to the Chronology of Plays provides a list of when plays were written and published. This section provides access to the plot summary of each of the plays, pictures, key dates, characters, history and the full script of every one of William Shake-speare's plays.
Chronology of Plays - First performance and publications
Editions of Plays
This selection of Collections of Shake-speare conveys the number of different editions of the Plays of the Bard that have been published. Editions may vary in content and variations are generally detailed and explained in the modern forewords.1623 The First Folio (F1)
1632 The Second Folio (F2)
1663 The Third Folio (F3) Second issue of the F3 in the following year includes Pericles.
1685 The Fourth Folio (F4)
1709 Nicholas Rowe's edition
1723-25 Alexander Pope's edition.
1733 Lewis Theobald's edition.
1734-5 Robert Walker's small-format editions of the individual plays
1734-6 Jacob Tonson
1743-4 Thomas Hanmer's edition.
1747 William Warburton's edition.
1765 Samuel Johnson's edition.
1767-8 Edward Capell's edition.
1773 George Stevens's revision of Samuel Johnson's edition.
1773-4 John Bell's edition - Based on the prompt books then being used in the London theatres.
1778 Isaac Reed's revision of Stevens's Johnson edition.
1790 Edmond Malone's edition.
1791-1802 J. & J. Boydell's edition.
1795 First American edition published at Philadelphia.
1807 Francis Douce's edition
1821 A revised edition of Malone, prepared by James Boswell.
1822-23 Pickering edition.
1838-43 Charles Knight's edition.
1859-60 Mary Cowden Clarke's edition.
1863-6 Clark, Wright and Glover Cambridge University Press edition.
1870-1911 William J. Rolfe edition
1899-1931 W. J. Craig and R. H. Case's 'The Arden Shakespeare'.
1921-66 John Dover Wilson and Arthur Quiller-Couch's 'New Cambridge Shakespeare'.
1937-59 George B. Harrison's 'Penguin Shakespeare'.
1951 Peter Alexander's edition.
1956-67 Alfred Harbage's 'Pelican Shakespeare'.
1974 G. Blakemore Evans's 'Riverside Shakes-peare'.The edition most widely used among US colleges
1986 Stanley Wells and Gary Taylor's 'Oxford Shakespeare'.
1995- Richard Proudfoot, Ann Thompson and David Scott Kastan's revision of the Arden (now known as 'Arden 3').
Plays and the Globe Theatre
Plays were big!! There was money to be made!! There was a constant demand for new material!! Rivalry between the Theatres Playhouses was enormous!! As soon as plays were written they was immediately produced - printing followed productions! So the actors initially used 'foul papers' or prompts. Rival theater companies would send their members to attend plays to produce unauthorised copies of plays - notes were made and copied as quickly as possible. In Shakespeare’s time copyright did not exist. Alternative versions of Shakespearean plays were produced! These unauthorised and inferior text copies of Shakespeare's plays are called Quarto Texts.
The success of the Elizabethan theaters, including that of the Globe, was such that other forms of Elizabethan entertainment were being seriously affected. In 1591 the growing popularity of theatres led to a law closing all theaters on Thursdays so that the bull and bear bating industries would not be neglected! Many of the plays of the Great Playwright were first featured in the Globe Theatre of London.
Comedies, Histories and Tragedies
Picture - The Globe Theatre which was the
venue of many first performances of
William Shakespeare's plays
Merchant of Venice the play by William Shakespeare
Cast and characters in The Merchant of Venice by William Shakespeare
Index of plays by William Shakespeare
Introduction - Full , free online text - Merchant of Venice
This section contains the free online text of Merchant of Venice the famous Shakespearean play. The enduring works of the great Bard feature many famous and well loved characters. The full online text and script of Merchant of Venice convey vivid impressions. The language used today is, in many ways, different to that used in the 16th century Elizabethan era and this is often reflected in the script and text used in Shakespearean plays. It is therefore not surprising that we have no experience or understanding of some of the words contained in the text / script of Merchant of Venice. We have therefore included a free online Shakespeare Dictionary for most of the more obscure words used in the script and text of his plays, some of which are obsolete in modern language or Dictionaries. Make a note of any unusual words or text that you encounter whilst reading the online text of the play and then check their definition in the free online Shakespeare Dictionary.
Script / Text of Merchant of Venice
The script of the play is extremely long. To reduce the time to load the script of the play, and for ease in accessing specific sections of the script, we have separated the text into Acts. Please click on the appropriate links to access the Act of your choice.
William Shakespeare never published any of his plays and therefore none of the original manuscripts have survived. Eighteen unauthorised versions of his plays were, however, published during his lifetime in quarto editions by unscrupulous publishers (there were no copyright laws protecting Shakespeare and his works during the Elizabethan era). A collection of his works did not appear until 1623 ( a full seven years after Shakespeare's death on April 23, 1616) when two of his fellow actors, John Hemminges and Henry Condell, posthumously recorded his work and published 36 of William’s plays in the First Folio.
Romeo and Juliet
by William S
Romeo & Juliet play, complete original script, full text, with annotations translated into modern language, plus and adapted modernized version, annotated translations
Original Script
(Word doc 279kb)
Shakespeare's complete original script based on the Second Quarto of 1599, with corrections and alternate text shown from the First Quarto of 1597, Third Quarto of 1609, Fourth Quarto of 1622, First Folio of 1623, and later editions. Spelling and punctuation are modernized (American) with some indications of pronunciation. Stage directions are clarified. Side notes are given for vocabulary, figurative language, and allusions. This script may be downloaded and used for free for education and performance. Editor: David Hundsness.
Adapted Script (ready to read)
(Word doc 142kb)
Adapted Script (unabridged)
(Word doc 308kb)
This is an adapted version of the play using Shakespeare's original language. It is shortened to under two hours, cutting scenes that are typically slow to modern audiences. Dated references are minimized so the story may be set anytime and anywhere. A Wedding Ceremony and Juliet's Funeral are created from cut-and-pasted lines, and some scenes are altered for dramatic impact (all from the original script, of course). The unabridged version shows all cut lines in gray text, so you can easily restore lines and make your own edits. The first version is easier to read. Adapted by David Hundsness. This adaptation may be used for free in part or whole for performance, even for profit; I ask only that you contact me at scripts@hundsness.com to let me know who is using it, and give credit to David Hundsness and www.hundsness.com where appropriate.
Review by Austin Live Theatre: "This is no Reader's Digest edition. The adapter did a scrupulous, ethical job of fileting the original text, preserving the story line and the essentials of the characters. Almost all of the most memorable lines of verse were retained. Purists would certainly object to his reducing the text by 30 to 40 percent, adroitly stitching together scenes while adhering to original texts and crafting both a brief marriage scene in Friar Laurence's chambers and a funeral for Juliet. But none of this diminishes a whit the power of Shakespeare's language or plot. The adaptation is directly in the centuries-old tradition of moving the bard to the audience."
Original Editions
(Word doc 874kb)
Side-by-side comparison of the First Quarto of 1597, Second Quarto of 1599, and First Folio of 1623 with original spelling and punctuation. Sources:
http://ise.uvic.ca/Annex/DraftTxt/Rom/index.html
scripts@hundsness.com
Faculty of Teacher Training - English Department
Course Title: Advanced English Language IV
Instructor: Dr. Rod
E-mail: sjrod55@gmail.com
The following I recommend reading and we will discuss it in class on Tuesday.
Barry Hines (1939- ) was born in Yorkshire into a working-class family. After finishing school, he had various jobs, among them as a teacher, before he started his career as a writer. He has written a number of novels and short stories which are all set in Yorkshire. The following extract is taken from his most popular novel, Kes (1969), which has also been made into a film. It deals with a working-class boy called Billy Casper, who comes from a fatherless family and is unloved and neglected both at home and at school. At the beginning of the extract, five pupils, including Billy, are standing in front of the headmaster's study, awaiting some sort of disciplinary measures.
When you read this text, observe the attitudes of the headmaster towards his pupils and note them down for yourself and later use.
"I'm sick of you boys, you'll be the death of me. Not a day goes by without me having to deal with a line of boys. I can't remember a day, not one day, in all the years I've been in this school, and how long's that? ... ten years, and the school's no better now than it was on the day that it opened. I can't understand it. I can't understand it at all." ...
"I've taught in this city for over thirty-five years now; many of your parents were pupils under me in the old city schools before this estate was built; and I'm certain that in all those years I've never encountered a generation as difficult to handle as this one. I thought I understood young people, I should be able to with all my experience, yet there's something happening today that's frightening, that makes me feel that it's all been a waste of time. ... Like it's a waste of time standing here talking to you boys, because you won't take a blind bit of notice what I'm saying. I know what you're thinking now, you're thinking, why doesn't he get on with it and let us go, instead of standing there babbling on? That's what you're thinking, isn't it? Isn't it, MacDowall?"
"No,sir."
"O yes it is. I can see it in your eyes, lad, they're glazed over. You're not interested. Nobody can tell you anything, can they, MacDowall? You know it all, you young people, you think you're so sophisticated with all your gear and your music. But the trouble is, it's only superficial, just a sheen with nothing worthwhile or solid underneath. As far as I can see there's been no advance at all in discipline, decency, manners or morals. And do you know how I know this? Well, I'll tell you. Because I still have to use this every day."
He brought the stick round from behind his back for the boys to have a look at.
"It's fantastic, isn't it, that in this day and age, in this super-scientific, all-things-bright and-splendiferous age, that the only way of running this school efficiently is by the rule of the cane. But why? There should be no need for it now. You lot have got in on a plate."
"I can understand why we had to use it back in the 'twenties and 'thirties. Those were hard times; they bred hard people, and it needed hard measures to deal with them. But those times bred people with qualities totally lacking in you people today. They bred people with respect for a start. We knew where we stood in those days, and even today a man will often stop me in the street and say 'Hello, Mr Gryce, remember me?' - And we'll pass the time of day and chat, and he'll laugh about the thrashings I gave him."
"But what do I get from you lot? A honk from a greasy youth behind the wheel of some big second-hand car. Or an obscene remark from a gang - after they've passed me. 'They took it then, but not now, not in this day of the common man, when every boy quotes his rights, and shoots off home for his father as soon as I look at him. ... No guts... . No backbone ... you've nothing to commend you whatsoever. You're just fodder for the mass media!"
He slashed the stick in front of their chests, making the air swish in its wake, then he turned round and leaned straight-armed on the mantelshelf, shaking his head. ...
"So for want of a better solution I continue using the cane, knowing full well that you'll be back time and time again for some more. Knowing that when you smokers leave this room wringing your hands, you'll carry on smoking just the same. ...
"Now get that other junk back into your pockets, and get your hands out."
He picked his stick up from his desk and tested it on the air. The first smoker stepped out and raised his right hand. He proffered it slightly cupped, thumb tucked into the side, the flesh of the palm ruttled up into soft cushions.
Gryce measured the distance with the tip of his stick, settled his feet, then slowly flexed his elbow. When his fist was level with his ear, the hinge flashed open swish down across the boy's palm. The boy blinked and held up his left hand. The stick touched it, curved up and away out of Gryce's peripheral vision, then blurred back into it and snapped down across the fingers.
"Right, now get out."
White-faced, he turned away from Gryce, and winked at the others as he passed in front of them to the door.
"Next."
They stepped forward in turn, all adopting the same relaxed hand position as the first boy. Except for the messenger. He presented his hands stiff, fingers splayed, thumbs up. The full force of both strokes caught him thumbs first, cracking across the side of the knuckle bone. The first stroke made him cry. The second made him sick.
Difficult words:
sophisticated
(here) trendy
gear
(here) clothes
all-things-bright-and-splendiferous:
allusion to children's hymn "All things bright and beautiful"
splendiferous
(infml. or humorous): splendid
cane
stick for beating
thrashing
(here) beating
guts
(infml.): courage
mantelshelf
(old-fashioned) = mantelpiece: shelf above a fireplace
junk
(infml.): useless things
proffer sth.
offer sth.
Faculty of Teacher Training - English Department
Course Title: English for Specific Purposes – 2010 - M.A. ELT Program (4+1 / 3+2)
Instructor: Dr. Rod
E-mail: sjrod55@gmail.com
*The instructor reserves the right to change the syllabus as the course progresses if necessary
Course Overview and Objectives:
English for Specific Purposes (ESP) is known as a learner-centered approach to teaching English as a foreign or second language. It meets the needs of adult learners who need to learn a foreign language for use in their specific fields, such as science, technology, medicine, leisure, and academic learning. This course is recommended for graduate students and foreign and second language professionals who wish to learn how to design ESP courses and programs in an area of specialization such as English for business, Engineering, and for Academic Purposes. In addition, they are introduced to ESP instructional strategies, materials adaptation and development, and evaluation.
Its objectives include:
Knowledge and Understanding:
Learning Outcomes
A1 : Knowledge of key principles involving the historical development and existing practice in ESP
A2 : A detailed acquaintance of genres spanning written/spoken discourse and a variety of specialised contexts (academic and non-academic) in which English is taught and used
A3 : An appreciation of the strategies employed by ESP learners in different disciplines and of the roles of ESP teachers
A4 : An understanding of how the above apply to particular teaching situations, especially those that the student is familiar with, in the context of accepted contemporary professional practice
Teaching Methods
1-4 are taught initially through staff-led modules, using a variety of means of delivery (formal lecture, seminar, question-answer discussion session, group-work task-based session, computer lab session, student oral reports, workshop). 4 is enhanced by classroom observation where possible. Staff feedback to students on coursework is a connected important feature enhancing learning. Learning is expected to be deepened through directed and independent self-access library study and use of web material both put up by staff and generally available on the internet.
Intellectual / Cognitive Skills:
Learning Outcomes
B1 : Critical skills needed to evaluate disparate sources of information, both academic (e.g. lectures, books) and experiential, and collate, select, and apply the information to a specific teaching issue or situation critical skills needed to evaluate disparate sources of information, both academic (e.g. lectures, books) and experiential, and collate, select, and apply the information to a specific teaching issue or situation
B2 : An ability to formulate coherent and logically sound arguments
B3 : Ability to reflect independently on own teaching/learning experience and relate it to the ideas and research in the field
B4 : Ability to identify a research question or hypothesis, choose appropriate research methods, and interpret own and others' data and see the implications for a hypothesis or question
Teaching Methods
1-4 are fostered repeatedly by all the means of teaching/learning described in (A)
Practical Skills:
Learning Outcomes
C1 : Ability to seek and retrieve relevant information from a variety of sources (e.g. library, journals, WWW)
C2 : Ability to communicate lucidly in speech and writing about theoretical matters, teaching and learning issues and own teaching experience, in appropriate style
C3 : Practical skills in analysing the core properties of syllabuses and materials in different language learning/teaching situations
C4 : Ability to propose, plan, execute and write up an original, complete but limited study related to ESP with due treatment of appropriate prior research and theory, generation of research aims, application of relevant methods (e.g. empirical data gathering, or syllabus/materials design or evaluation) and management and presentation of the whole project with due attention to proper professional practice and ethics.
Teaching Methods
1 is promoted by staff guidance as well as being guided by staff teaching, and giving advice
2 is promoted by the oral and written tasks associated with the taught modules, and feedback on them, and by guidance in course booklet and an unassessed module on assignment and dissertation writing
3 is dealt with by embedding practical data analysis tasks into specialist modules.
4 is promoted by supervision of the obligatory dissertation
1-4 are further supported by advice from me in consultation hours or by email, and by web-based self-access material.
Key Skills:
Learning Outcomes
D1 : a. Oral participation in group discussion and lectures b. Academic writing, both in the form of argumentative academic papers and research reports, in appropriate style c. Critical reading: researching and utilising information, including scanning, recognising opinion and bias, detecting relevant points, collating different sources.
D2 : Using advanced computational tools and software packages to obtain, store and process information stored in electronic form (e.g. from the Library, WWW or CD-rom).
D3 : a. Analysis of tasks and identification of objectives b. Identification and use of relevant information sources c. Establishing main features of a complex problem d. Planning and selection of approach to reach a solution
D4 : Participation in pair/group class tasks (including organising and evaluating own and others' contributions)
D5 : a. Use of independent time management skills, initiative, and different approaches to working autonomously to meet assignment and dissertation targets b. Use of feedback and support from peers, lecturers and supervisor to meet targets and improve over the year
Teaching Methods
1 and 5 are promoted by many taught modules, and involve listening and note taking in lectures. They are also facilitated by feedback.
2 is promoted mainly by self access material on WWW. More generically, students will be expected to become familiar with basic PC management and the word processing of academic documents, internet searching, etc. in connection with their work for all modules.
4 and 6 are promoted via the assignments which impose requirements for students to apply these skills
1-2 and 4-6 are all further practised for the dissertation, and aided when necessary by staff advice by email or consultation
Attendance policy:
In accordance with the university’s attendance policy, students must attend 70% of the meetings in order to be able to pass the course. If a student misses more than 30 % of the classes, the student will automatically fail the course, regardless of performance on the assignments. The dismissal of excused absences (medical appointments, family emergencies, etc.) will be taken up on a case by case basis.
Academic Dishonesty
An incident of academic dishonesty occurs when a student commits any of the following acts (this list does not preclude other acts of academic fraud):
1. Cheating refers to the use or attempted use of unauthorized materials, information, or study aids in an academic exercise or assignment.
2. Fabrication refers to the unauthorized falsification or invention of any information or citation in an academic exercise.
3. Facilitating academic dishonesty is the act of helping or attempting to help another to violate any provision of the institutional policy on academic dishonesty.
4. Plagiarism describes the unacknowledged adoption or reproduction of the ideas, words, statements of another person, including classroom peers.
Students caught engaging in academic dishonesty once will fail the assignment. Two or more incidents of academic dishonesty will result in failure of the course.
Assessment:
| Grade Scale | Grade Description | Grade Points |
| 95% - 100% | Excellent | 10.0 |
| 86% - 94% | Very good | 9.0 |
| 77% - 85% | Good | 8.0 |
| 68% - 76% | Satisfactory | 7.0 |
| 60% - 67% | Passing | 6.0 |
Assessment in this course will be continuous (ongoing). Students therefore should be advised that each and every meeting is crucial to their success in the course. The students will be assessed for these components:
Please be well aware that while there will not be formalized mid and final year examinations, the continuous assessments, in total, have the same effect and weigh equally.
Grading Rubric:
| Attendance | 10 % |
| Homework | 20 % |
| Participation | 20 % |
| Debate | 10 % |
| Writing assignments | 40 % |
| Total | 100 % |
Course Outline:
| Session 1
|
|
| Session 2
|
|
| Session 3 | Discussing issues related to the design of needs analysis tools for your specific group of learners Assignment 1: Design a needs analysis plan for your target population that you would carry out if you had sufficient time and money. |
| Session 4 |
Assignment 2: Find written or spoken texts for analysis that are appropriate for your learners and conduct genre analysis |
| Session 5 | Discussing how the results of your needs analysis help setting the parameters of your ESP course design. Give and receive feedback. Assignment 3: Propose a course design plan |
| Session 6
|
Assignment 4: Write a reflection paper on selecting materials for your target population |
| Session 7 |
|
Incomplete (IN): An incomplete grade may be assigned if a student has not finished all course requirements by the end of the semester, but has completed a substantial amount of the work. It is the student’s responsibility to bring pertinent information to the teacher and to reach an agreement on how the remaining course requirements will be satisfied. If requirements are not completed within one year, a failing grade is automatically assigned.
Recommended reading:
English for Specific Purposes by Keith Harding –
Oxford University Press 2007.
ISBN – 13: 987 019 442575 9 and ISBN – 10: 0 19 442575 9
Articles:
Basturkmen, H. (1998). Refining procedures: A needs analysis project at Kuwait University. English Teaching Forum, 36(4). Also available at: http://exchanges.state.gov/forum/vols/vol36/no4/p2.htm
Bhatia, V. K. (1997). Applied genre analysis and ESP. In T. Miller (Ed.), Functional approaches to written text: Classroom applications (pp. 134-149). English Language Programs: United States Information Agency. Also available at: http://exchanges.state.gov/education/engteaching/pubs/BR/functionalsec4_10.htm
Bosher, S. & Smalkoski, K. (2002). From needs analysis to curriculum development: Designing a course in health-care communication for immigrant students in the USA. English for Specific Purposes, 21(1): 59-79. (can be accessed online from IU Library website with an IU account)
Douglas, D. (1999) Assessing Languages for Specific Purposes CUP
Dudley-Evans,T and M. St. John (1998) Developments in ESP: a Multi-Disciplinary Approach C UP
Dudley-Evans, T. (2000). Genre analysis: A key to a theory of ESP? Iberica, 2, 3-11. Also available at: www.uv.es/aelfe/WebRAs/RA-2-Dudley.pdf
Hutchinson, T. and A. Waters (1997) English for Specific Purposes, CUP
Johns, A. M. (1991). English for specific purposes (ESP): Its history and contributions. In M. Celce-Murcia (Ed.), Teaching English as a second or foreign language (2nd ed., pp. 67-77). New York: Newbury House.
Johns, A. M., & Price-Machada, D. (2001). English for specific purposes (ESP): Tailoring courses to students' needs-and to the outside world. In M. Celce-Murcia (Ed.), Teaching English as a second or foreign language (3rd ed., pp. 43-54). Boston: Heinle & Heinle.
Mackay , R and A Mountford (Eds) (1978) English for Specific Purposes Longman
McDonough, J. (1984) ESP in Perspective. Collins
Munby, J (1978) Communicative Syllabus Design CUP
Richterich, R (Ed.) (1983) Case Studies in Identifying Language Needs Pergamon
Robinson, P. (1991) ESP: A Practitioner's Guide. Prentice Hall International
Swales, J (1985) Episodes in ESP Pergamon
West, R. (1994). Needs analysis in language teaching. Language Teaching 27(1): 1-19.
Faculty of Teacher Training - English Department
Course Title: Advanced English Language IV
Instructor: Dr. Rod
E-mail: sjrod55@gmail.com
Below are samples from the notes given to act as a reminder. You already have the printed full transcript.
Air traffic control communication at Portland International Airport - July 1, 1990
Researchers: Karen Ward, David Novick, Carolyn Sousa
Department of Computer Science and Engineering Oregon Graduate Institute
Introduction
This report contains a transcript of radio communications between air traffic controllers and pilots. The transcript was prepared as part of the ATC Interaction Research Project (AIR Project) at the Oregon Graduate Institute, which has been investigating computational representations of Air Traffic Control (ATC) communication.
This transcript covers 30 minutes of the radio communications of one controller in the Portland International Airport (PDX) Terminal Radar Control (TRACON) Facility. The controller was
working one of the two approach positions; that is, he was responsible for aircraft entering and leaving a portion of the PDX Approach Radar Service Area (ARSA).
The transcript was made from a recording taped from radio at a site approximately two NM from the airport on July 1, 1990, between 10:45 and 11:15 AM. A copy of this recording on cassette
may be obtained by writing to the Department of Computer Science and Engineering of the Oregon Graduate Institute. The recording exhibits high-frequency cutoff and high noise levels, however, so it may not be suitable for direct use with speech recognizers.
The transcript is in two parts. The section entitled “Full Transcript” depicts all exchanges chronologically as they occurred. However, air traffic control dialogue can be viewed as many interleaved yet fairly independent conversations, so in the “Separated Transcripts” section utterances are grouped by aircraft to show the course of each individual conversation. The utterance numbers from the full transcript are preserved in the separated transcripts so that the utterance context may be located easily
(1) Unknown: (-forty) five.
(2) Approach: Horizon sixty four turn right heading one two zero.
(3) Horizon 64: Turn right one two zero Horizon sixty four.
(4) Horizon 391: Horizon uh, three ninety one (uh we’d like to) uh join the localizer.
(5) Approach: Horizon three ninety one turn right heading three one zero join the localizer.
(6) Horizon 391: Three one zero. (Three) ninety one.
(7) Approach: Horizon three ninety one you’re eight miles from uh, Laker maintain three thousand till established localizer cleared ILS two eight right approach.
(8) Horizon 391: Cleared the ILS, two eight right approach three thousand till establish. Horizon Air three ninety one.
(9) Approach: -ska two oh five turn left heading three two zero.
(10) Alaska 205: Three two zero, Alaska two oh five.
(11) Approach: Alaska six zero four reduce speed to one five zero until Laker and contact tower one one eight point seven.
(12) Alaska 604: Slowing to uh one fifty and uh, tower uh, eighteen seven for Alaska six zero four.
(13) Approach: Horizon three ninety one maintain one seven zero knots until Laker.
(14) Horizon 391: One seventy till Laker, Horizon three ninety one.
(15) Approach: Horizon sixty four turn: correction uh, continue on your present heading.
(16) Horizon 64: ((garbled))
(17) Unknown: ((Mike depressed))
(18) Horizon 391: Horizon three ninety one has the field in sight.
(19) Approach: Horizon three ninety one roger cross abeam of Laker at or above, two thousand, you’re cleared for the visual approach runway two eight left.
(20) Horizon 391: Laker at or above two thousand, cleared the visual to the left, roger three ninety one.
(21) Approach: Alaska two zero five (practical) increase speed to one niner zero until Laker.
(22) Alaska 205: Alaska two oh five reduce- uh increasing.
(23) Approach: Delta seven forty five turn right heading two eight zero, join the localizer.
(24) Delta 745: Right two eighty, join the localizer, Delta seven forty five.
(25) Horizon 391: Three ninety one, can we pick it up, (just a) little bit.
(26) Approach: Horizon three ninety one, uh that’s approved.
(27) Horizon 391: Horizon three ninety one, (roger).
(28) Unknown: ((Mike depressed))
(29) Unknown: ((squawk))
(30) Approach: ((garbled)) zero papa service terminated squawk twelve hundred, frequency change approved.
(31) Approach: Horizon sixty four turn left heading zero, six zero.
(32) Horizon 64: Zero six zero, Horizon, uh, sixty four.
(33) Approach: Alaska two oh five, nine from Laker, maintain three thousand till established on the localizer cleared the ILS two eight right approach, maintain speed (of) one eight zero until Laker.
(34) Alaska 205: Roger Alaska two oh five, uh, cleared approach three thousand till established on the localizer at three thousand, and uh hundred ‘n uh ninety till Laker?
(35) Approach: Alaska two zero five, uh turn left heading two five zero now to join the localizer and maintain three thousand
till established on the localizer, cleared ILS two eight right approach, maintain speed one eight zero until Laker.
(36) Alaska 205: Roger one eighty, till Laker Alaska two oh five copy the rest.
(37) Approach: Horizon sixty four turn left heading three one zero join the localizer.
(38) Horizon 64: Three ten and join Horizon sixty four.
(39) Approach: Tingle one (four eight) Portland Approach, r:oger, fly your present heading and reduce speed to two one zero.
(40) Approach: Tingle one (four eight) thank you.
(41) Approach: Delta seven forty five descend and maintain four thousand five hundred.
(42) Delta 745: Down to four thousand five hundred Delta seven forty five.
(43) Approach: Horizon, uh disregard.
(44) Approach: Delta seven forty five is one zero miles from Laker, maintain four thousand five hundred till established on the localizer, cleared ILS two eight right approach, maintain speed one, seven zero until Laker.
(45) Delta 745: One seventy till Laker forty five hundred (descending fifty seven) uh, ILS twenty eight right Delta seven forty five.
Faculty of Teacher Training - English Department
Course Title: Advanced English Language IV
E-mail: sjrod55@gmail.com
Obama inaugural speech
Barack Obama 44th US president. Here is his inauguration speech in full.
My fellow citizens:
I stand here today humbled by the task before us, grateful for the trust you have bestowed, mindful of the sacrifices borne by our ancestors. I thank President Bush for his service to our nation, as well as the generosity and co-operation he has shown throughout this transition.
Forty-four Americans have now taken the presidential oath. The words have been spoken during rising tides of prosperity and the still waters of peace. Yet, every so often the oath is taken amidst gathering clouds and raging storms.
At these moments, America has carried on not simply because of the skill or vision of those in high office, but because we, the people, have remained faithful to the ideals of our forbears, and true to our founding documents.
So it has been. So it must be with this generation of Americans.
Serious challenges
That we are in the midst of crisis is now well understood. Our nation is at war, against a far-reaching network of violence and hatred. Our economy is badly weakened, a consequence of greed and irresponsibility on the part of some, but also our collective failure to make hard choices and prepare the nation for a new age. Homes have been lost; jobs shed; businesses shuttered. Our healthcare is too costly; our schools fail too many; and each day brings further evidence that the ways we use energy strengthen our adversaries and threaten our planet.
“ We have chosen hope over fear, unity of purpose over conflict and discord ”
These are the indicators of crisis, subject to data and statistics. Less measurable but no less profound is a sapping of confidence across our land - a nagging fear that America's decline is inevitable, that the next generation must lower its sights.
Today I say to you that the challenges we face are real. They are serious and they are many. They will not be met easily or in a short span of time. But know this, America - they will be met.
On this day, we gather because we have chosen hope over fear, unity of purpose over conflict and discord.
On this day, we come to proclaim an end to the petty grievances and false promises, the recriminations and worn-out dogmas, that for far too long have strangled our politics.
Nation of 'risk-takers'
We remain a young nation, but in the words of scripture, the time has come to set aside childish things. The time has come to reaffirm our enduring spirit; to choose our better history; to carry forward that precious gift, that noble idea, passed on from generation to generation: the God-given promise that all are equal, all are free, and all deserve a chance to pursue their full measure of happiness.
In reaffirming the greatness of our nation, we understand that greatness is never a given. It must be earned. Our journey has never been one of short-cuts or settling for less. It has not been the path for the faint-hearted - for those who prefer leisure over work, or seek only the pleasures of riches and fame. Rather, it has been the risk-takers, the doers, the makers of things - some celebrated but more often men and women obscure in their labour, who have carried us up the long, rugged path towards prosperity and freedom.
For us, they packed up their few worldly possessions and travelled across oceans in search of a new life.
For us, they toiled in sweatshops and settled the West; endured the lash of the whip and ploughed the hard earth.
For us, they fought and died, in places like Concord and Gettysburg; Normandy and Khe Sahn.
'Remaking America'
Time and again these men and women struggled and sacrificed and worked till their hands were raw so that we might live a better life. They saw America as bigger than the sum of our individual ambitions; greater than all the differences of birth or wealth or faction.
“ The state of the economy calls for action, bold and swift ”
This is the journey we continue today. We remain the most prosperous, powerful nation on Earth. Our workers are no less productive than when this crisis began. Our minds are no less inventive, our goods and services no less needed than they were last week or last month or last year. Our capacity remains undiminished. But our time of standing pat, of protecting narrow interests and putting off unpleasant decisions - that time has surely passed. Starting today, we must pick ourselves up, dust ourselves off, and begin again the work of remaking America.
For everywhere we look, there is work to be done. The state of our economy calls for action, bold and swift, and we will act - not only to create new jobs, but to lay a new foundation for growth. We will build the roads and bridges, the electric grids and digital lines that feed our commerce and bind us together. We will restore science to its rightful place, and wield technology's wonders to raise healthcare's quality and lower its cost. We will harness the sun and the winds and the soil to fuel our cars and run our factories. And we will transform our schools and colleges and universities to meet the demands of a new age. All this we can do. All this we will do.
Restoring trust
Now, there are some who question the scale of our ambitions - who suggest that our system cannot tolerate too many big plans. Their memories are short. For they have forgotten what this country has already done; what free men and women can achieve when imagination is joined to common purpose, and necessity to courage.
“ We reject as false the choice between our safety and our ideals ”
What the cynics fail to understand is that the ground has shifted beneath them - that the stale political arguments that have consumed us for so long no longer apply.
The question we ask today is not whether our government is too big or too small, but whether it works - whether it helps families find jobs at a decent wage, care they can afford, a retirement that is dignified. Where the answer is yes, we intend to move forward. Where the answer is no, programmes will end. And those of us who manage the public's dollars will be held to account - to spend wisely, reform bad habits, and do our business in the light of day - because only then can we restore the vital trust between a people and their government.
Nor is the question before us whether the market is a force for good or ill. Its power to generate wealth and expand freedom is unmatched, but this crisis has reminded us that without a watchful eye, the market can spin out of control - that a nation cannot prosper long when it favours only the prosperous. The success of our economy has always depended not just on the size of our gross domestic product, but on the reach of our prosperity; on the ability to extend opportunity to every willing heart - not out of charity, but because it is the surest route to our common good.
'Ready to lead'
As for our common defence, we reject as false the choice between our safety and our ideals. Our founding fathers, faced with perils that we can scarcely imagine, drafted a charter to assure the rule of law and the rights of man, a charter expanded by the blood of generations. Those ideals still light the world, and we will not give them up for expedience's sake. And so to all the other peoples and governments who are watching today, from the grandest capitals to the small village where my father was born: know that America is a friend of each nation and every man, woman, and child who seeks a future of peace and dignity, and we are ready to lead once more.
“ We will not apologise for our way of life, nor will we waver in its defence ”
Recall that earlier generations faced down fascism and communism not just with missiles and tanks, but with the sturdy alliances and enduring convictions. They understood that our power alone cannot protect us, nor does it entitle us to do as we please. Instead, they knew that our power grows through its prudent use; our security emanates from the justness of our cause, the force of our example, the tempering qualities of humility and restraint.
We are the keepers of this legacy. Guided by these principles once more, we can meet those new threats that demand even greater effort - even greater co-operation and understanding between nations. We will begin to responsibly leave Iraq to its people, and forge a hard-earned peace in Afghanistan. With old friends and former foes, we will work tirelessly to lessen the nuclear threat, and roll back the spectre of a warming planet. We will not apologise for our way of life, nor will we waver in its defence, and for those who seek to advance their aims by inducing terror and slaughtering innocents, we say to you now that our spirit is stronger and cannot be broken; you cannot outlast us, and we will defeat you.
'Era of peace'
For we know that our patchwork heritage is a strength, not a weakness. We are a nation of Christians and Muslims, Jews and Hindus - and non-believers. We are shaped by every language and culture, drawn from every end of this earth; and because we have tasted the bitter swill of civil war and segregation, and emerged from that dark chapter stronger and more united, we cannot help but believe that the old hatreds shall someday pass; that the lines of tribe shall soon dissolve; that as the world grows smaller, our common humanity shall reveal itself; and that America must play its role in ushering in a new era of peace.
To the Muslim world, we seek a new way forward, based on mutual interest and mutual respect. To those leaders around the globe who seek to sow conflict, or blame their society's ills on the West - know that your people will judge you on what you can build, not what you destroy. To those who cling to power through corruption and deceit and the silencing of dissent, know that you are on the wrong side of history; but that we will extend a hand if you are willing to unclench your fist.
To the people of poor nations, we pledge to work alongside you to make your farms flourish and let clean waters flow; to nourish starved bodies and feed hungry minds. And to those nations like ours that enjoy relative plenty, we say we can no longer afford indifference to the suffering outside our borders; nor can we consume the world's resources without regard to effect. For the world has changed, and we must change with it.
'Duties'
As we consider the road that unfolds before us, we remember with humble gratitude those brave Americans who, at this very hour, patrol far-off deserts and distant mountains. They have something to tell us, just as the fallen heroes who lie in Arlington whisper through the ages. We honour them not only because they are the guardians of our liberty, but because they embody the spirit of service; a willingness to find meaning in something greater than themselves. And yet, at this moment - a moment that will define a generation - it is precisely this spirit that must inhabit us all.
“ What is required of us now is a new era of responsibility ”
For as much as government can do and must do, it is ultimately the faith and determination of the American people upon which this nation relies. It is the kindness to take in a stranger when the levees break, the selflessness of workers who would rather cut their hours than see a friend lose their job which sees us through our darkest hours. It is the firefighter's courage to storm a stairway filled with smoke, but also a parent's willingness to nurture a child, that finally decides our fate.
Our challenges may be new. The instruments with which we meet them may be new. But those values upon which our success depends - honesty and hard work, courage and fair play, tolerance and curiosity, loyalty and patriotism - these things are old. These things are true. They have been the quiet force of progress throughout our history. What is demanded then is a return to these truths.
What is required of us now is a new era of responsibility - a recognition, on the part of every American, that we have duties to ourselves, our nation, and the world, duties that we do not grudgingly accept but rather seize gladly, firm in the knowledge that there is nothing so satisfying to the spirit, so defining of our character, than giving our all to a difficult task.
'Gift of freedom'
This is the price and the promise of citizenship.
This is the source of our confidence - the knowledge that God calls on us to shape an uncertain destiny.
This is the meaning of our liberty and our creed - why men and women and children of every race and every faith can join in celebration across this magnificent mall, and why a man whose father less than 60 years ago might not have been served at a local restaurant can now stand before you to take a most sacred oath.
So let us mark this day with remembrance, of who we are and how far we have travelled. In the year of America's birth, in the coldest of months, a small band of patriots huddled by dying campfires on the shores of an icy river. The capital was abandoned. The enemy was advancing. The snow was stained with blood. At a moment when the outcome of our revolution was most in doubt, the father of our nation ordered these words be read to the people:
"Let it be told to the future world... that in the depth of winter, when nothing but hope and virtue could survive... that the city and the country, alarmed at one common danger, came forth to meet [it]."
America. In the face of our common dangers, in this winter of our hardship, let us remember these timeless words. With hope and virtue, let us brave once more the icy currents, and endure what storms may come. Let it be said by our children's children that when we were tested we refused to let this journey end, that we did not turn back nor did we falter; and with eyes fixed on the horizon and God's grace upon us, we carried forth that great gift of freedom and delivered it safely to future generations.
Thank you. God bless you. And God bless the United States of America.
Story from BBC NEWS:
http://news.bbc.co.uk/go/pr/fr/-/2/hi/americas/obama_inauguration/7840646.stm
